Behind the disguise of a cheap hockey mask and denim dungarees, he was in fact a whining, high-pitched, nasally clown a culture stealing, Elvis-style genre appropriator, a literal caricature of a rapper. It was not just his moniker, but his very design that was akin to a packet of M&M’s.
Maybe he had stopped biting AZ, but his skills and delivery were no better, and when compared to most rappers out there at the time he was a sugary, kiddy-friendly, mass-marketed candy of a rapper. To anybody who resisted the brainwashing, it was obvious that Eminem had not changed much since his lame debut album. Dre, this great white hype was sold to the sheep-like public as “one of the best rappers in history”. A few corrupt years later, and with the help of Jimmy Iovine and Dr. At the time of its release and before Hip-Hop had sold out for money and fame, the album and the rapper himself, was quite rightly ridiculed for being a cheap imitation. In the mid-nineties, Eminem was a white wannabe rapper who saw fit to steel AZ’s flow (but none of his talent) on his dull-as-hell first album “Infinite”. If you look closely into his eyes, you can see that even Marshall Mathers himself cannot believe how far he has come with such meagre skills.
If all of the undue praise he receives from corrupt mainstream critics was removed, it would be obvious that he is a mediocre rapper, producer, and actor. Eminem is an extremely over-hyped media creation.
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